Dedicated to God, who is able to do immeasurably more than all we ask or imagine (Ephesians 3:20). To Him be the glory." 

TYRONE STROTHER

Multidisciplinary Polymath & Contemporary Visual Architect

Tyrone Strother is an internationally represented contemporary artist, classical jazz composer, and prolific story architect bridging fine art textile sculpture, high-luxury collectible design, and cinematic literature. Represented by L’Original Gallery (Montréal) and cataloged globally on Artsy, his work combines technical craftsmanship with institutional permanence.

Global Gallery & Institutional Footprint

Strother’s archival provenance is preserved within the Daniel Hauben Papers at the Bronx County Historical Society Research Library and Archives and documented in the Bronx Artist Documentary Project. His exhibition history spans notable venues including the International Center of Photography (ICP Museum), the Andrew Freedman Home, and Montefiore Hospital.

Master Fine Art Silk & Sculpture Architecture

His signature textile portfolio features hand-painted masterworks on premium Crepe de Chine, Habotai, and Charmeuse silk using traditional resist chemistry and metallic gutta. His sculptures blend digital anatomical modeling with hand-sculpted China clay, finished with mica, UV resin, and jeweler-grade stones like moissanite and zirconia.

Musical Lineage & Literary World-Building

A multi-instrumental virtuoso mentored by Latin jazz icon Dave Valentin, Strother's musical background includes showcases archived at New York University (NYU) Libraries under oPHANYM mUSIC. Iterating as a literary force with over 100 published titles cataloged globally, he is notably the creator of The Encyclopedia of Nonsince.

Tracked by global collectors and museum curators, Tyrone Strother redefines the boundaries of creative liberation

tyronestrother32@gmail.com

I dedicate this chapter of my artistic life to Carey Clark, the mentor who shaped the beginning of my journey and whose influence continues to echo through everything I create.

Carey was the first artist to open the door for me at The Point CDC, the place where my creative identity was born. She introduced me to silk — the medium that would eventually become my signature, my discipline, and my artistic language. Though I mastered silk through my own relentless exploration, Carey is the one who placed the material in my hands for the very first time. She gave me access, encouragement, and the freedom to discover who I could become.

Her impact didn’t stop there. Carey connected me to Daniel Hauben, and through that connection, I became part of the Bronx Artist Documentary Project, a milestone that rooted me in the cultural history of my city. She didn’t just teach; she built pathways. She didn’t just guide; she uplifted. She didn’t just mentor; she invested in the future of every artist who walked through The Point’s doors.

Carey’s legacy is not measured by galleries or markets.

Her legacy is measured by people — by the artists she has shaped, the communities she has strengthened, and the creative ecosystems she has nurtured. She chose a life of service, impact, and cultural stewardship. She chose to build the Bronx. She chose to build us.

I am one of the artists who grew from the soil she tended.

Everything I have achieved — every publication, every recognition, every step into the wider art world — carries her fingerprint. My rise honors her. I stand where I stand because she stood where she stood.

This dedication is

It is about gratitude.

It is about lineage.

It is about acknowledging the person who helped ignite the spark that became Strother Fine Art.

Carey Clark is my mentor, my origin point, and a permanent part of my artistic DNA.

This is for her.